Hyperfocus in a time of hyperobjects
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Exhibited in: DEMO 2024 and Art Fair 2025 via Kakakompyuter Mo Yan
Gab Brioso’s Fragments of a Private Vacuum is presented as a digital triptych of three different interactive ‘murals’ on disinformation. The artist’s practice challenges digital disinformation by breaking apart the screen & the interface, mapping out disinformation’s internal properties as a phenomenon as well as its external effects to the public sphere.
Brioso’s call for hyperfocuses in a time of hyperobjects, Timothy Morton’s term for objects and events whose enormous scale defies explanation, leading to their elusiveness.
